massive anthem from 2010 gets reworked and bigger bass than before this smashes the dancefloor to pieces! on the flip spies pays homage to the old skool jungle amen era of 94 and with the man of the moment bladerunner giving his magic touch well what can we say!

the first single of aka aka & thalstroems new album varieté remixed is the beginning of a series consisting of 3 vinyls which will follow within the next months. dont miss this!! alle 32 remixe auch auf cd erhältlich!

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.
music on vinyl is proud to re-release this album on vinyl for the first time since its original release!

hails from kurashiki japan, haruki matsuo have released several house gems from highly acclaimed imprints such as rush hour and night moves. after his contribution to us on 2009s hub opus tokyo, op.disc welcomes his landing back with this superb 4tracker. tough and subtle are the best words to describe harukis sound, youll find his one-of-a-kind characteristics. as youll see on tracks like commando or section 1, he doesnt lean on sleazy gimmicks tidy drums and clean lines just keep the groove going. feel what you feel

limited 1st edition in lp style sleeve!! great original cuts - regis remix carries on where >in a syrian tongue< left off with increased club appeal... dominick fernow arrives on blackest ever black as vatican shadow. two tracks remastered from the the debut vs cassette on hospital productions, byzantine private cia, and a powerful regis remix of another early cut, >church of all images<. in the words of hospital: >militant religious industrial. music for assassins on the world-scale board game upon which it isnt clear who is winning or what side you are on.<

youth invasion muzik launches their label with some down rite funk. yi muzik from the minds of a small club in ibiza? negru is a monster,at least thats what ciudovishte translates to. this ep is no different. monster techhouse missiles& rooted grooves with the yi muzik vibe. more to come.

hot off the heels of william medagli s amazing debut, sleazys deepness continues to ooze disco funk straight from the underground. here we have a futuristic look into the minds of sasch bbc & caspar two artists in their own right from the rhein-main-area of germany. teaming up was clearly a clever decision as supersonic delivers what we hope you would of come to love about sleazy deep by now, just that - its all in our name.

skylax records, the company focused on realeasing original obscure dance classic and everything that sounds fine to their ears! for our 26th release, we are back with one of the hottest producer on earth right now: chris mc millan as carlos nilmmns! this brand new ep (after his fabulous work on the ultra respected ornaments records from berlin) is simply one of the best thing we have heard this year. it goes from the purest techno to deep house, creating some cinematic landscapes that really touches our hearts. he really has his own soud, deep as hell. one of the most original musician we have heard from uk from a long time. this is the kind of release that will remind you what house music is all about. useless to say that carlos nilmmns is writing some future & cult club classics. a must-have in every djs collection! black vinyl

two giants of the house world, ian pooley and matthias vogt, unite once again under their mvip guise, with barrique & shrulliver. if you are wondering what it means, dont worry, we are too. its ok, just enjoy the great ep by the duo which also includes a killer remix by another legend ... vincenzo!

following a 12 inch for doc daneekas tty, presk returns home to deliver his second 12 inch for fourth wave. delivering his most progressive and unique work yet, presks latest injects some fun into his synth-heavy sound, while deftly swerving the moodiness of his future-techno contemporaries. >hesitate / kook< marks the first release in 2012 for what promises to be another ridiculous year for new label fourth wave – an upcoming 12 inch from newcomer felix lenferink, and man of the moment gerry reds debut album are all set for release over the next few months.

after a 5 year gap, vince watson released what is now his 7th! album to the world in march to great critical acclaim. 5 years is a long time to wait for something ... but some things in life are worth waiting for.
here on this ep, vince has selected 3 of the albums tracks, as well an exclusive. starting with a club version of the albumâ€,™,s title track, every soul needs a guide. its got roots in house, techno and latin jazz, but in reality its a fusion of all of the above and displays some wonderful production techniques along the way. the word inspiring is overly used these days, but it defines the soul of this track perfectly. following this is the quite breathtaking never too late with its lounge and jazz track roots, cementing vinceâ€,™,s one-man band status as intact. beautiful chilled out percussion and double bass soak up the timely keys and give you a real sense of the manâ€,™,s artistic prowess. stunning ...

012 seems to be jordan peak’s year! he will set up his own label and has remixes out on top class labels like 2020vision, real tone and ibadan.
>minor details< is another top production from up and coming uk producer jordan peak. with releases on quality labels like tsuba, robsoul, one records or area remote, this new release is another solid offering from the talented youngster. the original version of >three one two< is a percussive yet deep club track, whilst the julien sandre remix adds more pump with its rugged acid bassline. >got soul< is stripped down and raw, a trademark of jordan s work and thats what we like. nick lawsons remix takes the track in a smoother direction and completes this well balanced ep.

with titan records, amc (arguably the hottest new dj to appear on the dnb scene in years) is crafting what is fast becoming the hottest new label in the scene. not only is he picking up some incredible new talent but has also convinced serial killaz to part with one of their biggest tracks and now he features the mighty wickaman with sparring partner rv.

after his very well recieved through motion ep in 2011 the now londonbased producer returns to aus with the much-anticipated placement ep. staying true to his roots, he delivers four tracks that contribute to the continuing conversation between techno, house, garage and beyond. with a strong focus on intricate detail, lush texture and glacial melody the ep is just as captivating on headphones as it is on the dance floor. the placement ep is currently being remixed by motor city drum ensemble & lone and the fruits of their work will be released as a 12inch single on aus in april so keep your eyes and ears peeled.

leave it up to fulvio to bring the heat with >pandemonium<, the latest ep by the wishmaster!bringing hardcore essentials with a solid intent to disturb and destroy, the wishmaster raises the bar to a new level.
dropping kicks and rocking vocals from left to right and back, these beats and melodies are shattering tools for the impatient. brought with italian elegance, >pandemonium< and >oldschool trip< set the stage for some serious dance-floor antics. the 2 upbeat stompers are joined by mid-tempo bash >back 2 classic<. presenting subtle flashbacks from a hardware driven age, neatly packed in an up-to-date statement.
if you had one chance, what would you wish for?

quakers is a hip-hop collective boasting 35 members which orbits around a core of three producers: fuzzface (geoff barrow), 7-stu-7 and katalyst.

scratcha dva has come up with probably the finest match between album title and music in the history of the universe. >pretty ugly< is what it is - sweet and sour, blaring and lush, rough and smooth. the man is a genius.

anspruchsvoller, melodischer us-prog-pop-rock, mit klarem fokus auf die instrumentalparts, zeitgenössisch interpretiert, klassisch vorgetragen, von meistern ihres fachs. beschwingte, kompositorisch ausgefeilte gute-laune-lieder für alle lebenslagen.

save you records is delighted to present to you the splendid t.w.i.c.e. >in like flynn ep< as our very first vinyl release! since our birth a year ago it has always been our goal to distribute our artists music on wax, just as it deserves. the first three save you vinyl releases will feature music from t.w.i.c.e., dixie yure, nitin, droog, marcashken, kris wadsworth and deadecho. we hope you like this release and keep your ears open for what we have in store soon!

my man by the american dj aakmael house mixx right here for you, sure thing. support by scott groove detroit. peace. on the recommendation of mr larry heard, george kagais sun of the suns mother land. one of his first track let you know that he made this track the year of 2000 his track methaphysical vibe played by danny tenaglia. futurisms cd on tommy boy. a dj since 92. the beginning for bugnology3 steve bug ? you know. check also the b side. massive. laidback porny usual jazzy hipster drumbeat-jazzy thing with on his third wax track of the season mannmademusic, the slow motion early or totally late night, or whenever you want baby, oh yeah. england north east place called sunderland near newcastle. and you know what? paradice is closing those marvelous, without a kick drum, shaking heads all around on the snare thing. how delighted could we do more, than getting this record played all around the world for the greatness of life. lets celebrate, the second welcome back to the underground release. the vinyl cover is hand stamped with the a logo designed by street art painter: william thelineau.

straight japanese killer techno !!! tight, mechanical and brutal with an underlying funk, snow monkeys is the sort of multi-faceted beast that kobayashi is known for. the rough edges are allowerd full space to create tension but the track is tempered with some brilliant, shimmering and evocative melodies that slide into the mix for just the right amount of time before subsiding into the churning groove. one of the new school of japanese techno producer, a.mochi delivers a well pitched, moody version on the flip. pacey yet measured in its progression its a version that takes the originals tension to new levels and wont be a surprise for anyone who has heard his productions / remixes for the likes of figure, cocoon and a-wave. hideo kobayashi is one of the few producers who can skip from deep or vocal house though to searing techno with ease and snow monkeys is a perfect example of what he can do when it comes ot the tougher sounds

if you have been following graeme clark in his solo disguise as the revenge or the stream of 6th borough project 12-inches leading up to this one, you should know what to expect here—deep, blissfully hypnotic sampledelia with track flows governed by the laws of extreme repetition. its a shame that trance means a particular subgenre of electronic music, because that term applies just as much to the effects of these tracks as anything tiësto has ever played.
given the space, clark and craig smith are able to utilize this formula over a broad musical spectrum, creating music in the full-fledged sense, one that traces a landscape of tempos, styles and emotions and a menagerie of resurrected sounds conjures up images of dusty record shops and tattered vinyl, musical spirits captured on wax. awesome!

nice price deal !!! i knew as soon as the track was complete what kinda remix i was after. pauls remix is exactly that. a percussive stripped back, moody full of bass workout. pretty much as far underground as you can go. - komonazmuk

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

no use is the first collaboration between long time friends and house music veterans steve conry and iain macpherson. and their fine debut >no use< is the first release on what promises to be a quality outlet magic feet. the original mix is a warm, mid-tempo, acid laced house throbber, perfect for those early hours sessions. taking care of the remixes are craig bratley (instruments of rapture, foto recordings) who amps up the atmospherics, makes the whole thing a little chunkier while adding some space to the whole affair. finally ooft! step up with a rolling and mesmerizing electronic house workout high quality and a stunning debut.

part one of session victims haunted house of house sampler is already going down an absolute storm with the likes of dop, james teej, catz n dogz and tornado wallace declaring it >superb<, >inspiring<, >fantastic<, and bloody ripping, respectively. nows the time for part two containing four more cuts of the good stuff and by now you know what we are talking about here, deep, sample-heavy, rough around the edges but smooth in all the right places. basically good oldfashioned instrumental moods and grooves which will appeal equally to those old enough to remember the golden era of pork recordings as it will to the hip young vinyl heads with a nose for anything disco. enjoy, support and keep them peeled for the final installment part three coming very soon

spreekader aufnahmen is a new berlin based label. originally coming from tech house and minimal techno we are also releasing any kind of music we think it is worth hearing so that the essence of spreekader aufnahmen is good music. no matter if it is house, ambient, or any other kind of thrilling sound. we are obsessed with good music and therefore we are hopeless victims of sound. spreekader aufnahmen proudly presents to you >tamtam<. >tamtam< is going to be our first release on spreekader aufnahmen. the release features artists such as schulleri & eiblonski, benno blome, kotelett & zadak and last but not least nico stojan. the original mix brought to you by schulleri & eiblonski (labelowner of spreekader aufnahmen) is what you would call a prime-time happy-go-lucky hit at its best. talking about the remixers, benno blome (sender records) added a fast forward piano that way >tamtam< the track even goes happy-go-funky. kotelett & zadak (golden gate) took their time and made it nice and deep, perfect for every afterhour. finally nico stojan (bar 25) added piano and vocal to his version of >tamtam< and made smooth and sweet.

warm, sparse, subtle pulsating ambient/ambient house album.
what is behind >human too<? its the debut album by thomas bachner – the hidden mind running playtracks records, releasing his debut album. first audio studies recognise the order of the tracks: in the end, the ten stories, each embedded in the right place, shape the album like a well-written childrens book of sound. its the first glimpse into the depths of the playtracks head and it feels curious and thriving at the same time. catalogue number 11, it reaches the human ear from several directions: downtempo, house, clicks&cuts, ambient and a subtle bit of techno and jazz. by filling the albums grooves they make it an audititve pleasure, both at home and while clubbing. enjoy your meal!

if it would not be so cold outside, the latest shot of insistmusic would become an instant party classic. what ping! from thuringia have delivered this time at least definitely feels that way. the third edition of the frankfurt based vinyl label presents an intelligent, groovy techno: predictable enough to entrain, diversified enough to pleasantly surprise. the opening track depature marches across the dance floor, picking up the playful dancers with its funky offbeat elements in the beginning and taking them on an,ecstatic journey with its cleverly placed breaks. in the remix by label mate sascha sonido depature catches a touch of tribal techno moving the track with its vocals like rolling sound figures a good bit further into the house cosmos.

the long awaited dubplate anthem is here! as soon as we at ns-hq heard >drum track<, we knew atlantas helix would fit right in around here. his two main obsessions are old grime and looping hypnotic berlin techno. and it shows, as both collide here to produce the ultimate rhythm track. this is anthemic 8 bar techno, or sublow gone hands-in-the-air raving. this trak destroyed every festival we played at last summer. this is super-stripped down, poised club music - exactly what night slugs is all about. on the flip, we are honoured to have one of our all-time favourite mic controllers flirta d bless drum track with his >no hook no bs< version. known best for such grime bangers as slks >hype hype< and his own >warp speed<, flirta brings that unique sound-effects laden flow to the riddim like its 2004 again and triumphant rave anthems are going off once more.

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

straight pumpin chicago ghetto tech!

next up is the highly anticipated second release on graphene.. enter into a future prophecy world, where the stark realization of armageddon is foretold in all its hell-fire glory. solenoid is the narrator and observer of a planet controlled and afflicted. the future of the humanoids is about to concede to a terrifying conclusion. prepare to be sucked into a repressive nightmare. first up colony is a carved slice of visionary purgatory. distorted pads swirl in whirlwinds of vortex like cylinders. its a piece of perfectly crafted technoid mayhem. on the flip feathermen begs the questions who are they what will they do what is their mission all remains unanswered, except to acknowledge that a vile plan is at work. it s an hypnotic trip that eerily changes with every play. the main riff attacks your cranium with subtle but deadly force, eating its way into your soul. shuffling rhythmic drum patterns are juxtaposed with curious bells and creeping washes. the feathermen are in control. last on the flip pandemic is the absolute realization of a contaminated world. the pathogen continues to take down more and more of the planet. steeped in urgency and despair, the spaceage break gives insight to how the world might be after the annihilation....a new beginning or a end of all ends you must decide. one thing to conclude is that however much they unleash their destruction, they can never defeat nature itself. solenoid delivers a distinctive, badass ep that additionally works sweet as a dj tool. to be continued... words livia terri played by dimi angelis (figure, smallville), obtane (synewave), ben sims (drumcode, hardgroove), perc (perc trax, clr), bcr boys (nachtstrom)..

gabriel ananda was captivated by the sound of classical music by the early age of 8. he was encouraged by his family to practice the cello, but it was through playing the guitar that fueled his motivation to continue to learn about music. the guitar became a useful tool to express his creativity, but gabriel was not finished searching for his musical direction. in 1995 that changed. a dj set by sven väth was the pivotal moment that ended gabriels search to find his passion and two years later, the new producer celebrated his first release for the german label hörspielmusik. he went on to release singles on treibstoff, trapez, platzhirsch, and karmarouge before producing what was for him, a life changing track

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it. so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months ok, first release is croydon girl by chris liberator and sterling moss with rachel rackitt, backed with the drums by d.a.v.e. the drummer and ant, both avin it and hard acid techno monsters, a fitting way to begin.

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months. now we are onto our second release after the massive croydon girl by chris liberator, sterling moss and rackitt on suf 100 part 1, this time its the turn of four of the most notorious 303 raiders ever to grace the control tower of acid techno. on the a side suf co head honcho aaron liberator teams up with legendary smitten, routemaster and raw records artist the geezer for a jollied up bit of acid naughtiness, a straight up homage to david carradine and anyone that likes to drive recklessly about killing anyone that gets in their way. yes this is the return of crash n burn on suf, a superb follow up to their big hit!

lcd soundsystem, esg, stephin merritt (the magnetic fields), peaches und debbie harry (blondie) - eine so illustre gästeliste kann wohl nur franz ferdinand vorweisen. die oben genannten künstler wurden vom schottischen quartett überzeugt, für die >covers ep< auf domino, ihre songs zu covern. die beeindruckenden ergebnisse reichen von postpunk bis hin zu krawall-elektro und sind äußerst hörenswert

great inventive, fun, and super enegetic bunch from dublin. fans of the futureheads, two door cinema club, adebesi shank and devo should get what this is all about

early support by frivolous, dj sneak, adam port, mihai popoviciu & matt star. the first arms & legs release in 2012 comes from daniel steinberg. take some house and a pinch of minimal, add a dash of electronica & put some disco to the top. shake well… enjoy!

oliver klein is back again! after his fabulous album release in 2011 he teamed up again with his mate kolombo to present you some new tunes. with party party they present a stunning minimalistic techno banger that we loved from the first second! the remixes are done by 2 of the hottest youngster in he scene. harvey mckay and fabian argomedo. harvey is responsible for the techno site, the most people already should know him for his great releases on drumcode, soma, saved and more. his remix is a true techno monster made for the prime time. his sound is very charismatic and thats what we really like! fabian is a really nice guy, very down to earth and absolutely focused on his music! the man from chile turned the original into a techhouse smasher! he produced a hypnotic beat, bass, groove and combined them with the fantastic vocal snippets. mr. argomedo has also just released a stunning remixed for fatboy slim & riva starr and had massive releases on label like snatch, takt records, monique musique and many more.

shawn osullivan of up and coming new york new wave bands led er est and further reductions, brings us the latest release on wt. the easiest description would be drop bass network meets berghain dub techno meets the new sound of amsterdam with a little bit of acid and industrial sprinkled in, but you should listen to the clips yourself to decide. shawn takes synths, drummachines, a sequencer and some effects and records one take on a stereo track. this leaves room for wild mistakes, personal moments, and blown out sound. its a classic techno sound that sounds like it should have been done before, but hasnt.

a gritty 90s style album for those who grew up on illmatic, midnight marauders, only built for cuban links, moment of truth, and ready to die. behind the scale shows the other side of what some are glamorizing about street life and drug trade. this is unfiltered, real shit on tape. some of the stories are inensly personal and sean second-guessed including them, but if it aint raw it aint real. behind the scale is about change, transition and growing up.

new established audio innovation records stands for sonorous names in connection with new ideas launching the electronic sound sphere! bass-boost, playfully adapted melodies, remarkable sound always moving forward! that is what we know and what we can expect, on krischmann&klingenberg next ep!

although it has found emotional music from france, russia and south africa over the years, for this release it returns to the birthplace of deep house, chicago, to focus on up and coming producer matthew wieck. opening the ep with the wiry tones and lush pads of >flying feeling< whichs take you up into the stratosphere with its floaty vibe, its complimented by >hydroacoustics<, which utilises an aquatic arpeggio lead and warm, oozing pad underneath, held together with crips, charged percussive work. on the flipside >worlds beyond< demonstrates wiecks darker side, with an acid bassline riffing against cavernous piano in what sounds like a more introverted take on larry heard. altered moods boss malcolm moore finishes off the ep with >cleared direct<, an 808 jam held together with foggy chords and disembodied radio transmissions - the perfect compliment to wiecks fine material.

whilst some people claim that the number seven is lucky, some people, like duff, dont believe in luck, or if there is such a thing as luck you make your own. you cant rely on anyone else to hold your hand you know, you gotsta forge your own path, they arent called the mean streets for nothing. duff is the sort of man who not only makes his own luck (cos who else is gonna look after you?) but he keeps an eye on his bredren too. those in the neighbourhood feel safe because all is good in duffs hood, always has been, always will be, the police dont even come there, because they don’t have to, that block is on lock-down brother. though he isnt some type of machismo, over-the-top (hat back go-on sly) caricature, its just the way it is, nuthin to argue about. he has a way about him, the glare of a pitbull and the smile of don juan, dusty is his girl yep thats her real name, the name her mamma gave her on the day she was introduced to this world. the girl is fine thats for sure but what else would you expect from the honey that rides shotgun with the sonic casanova. she might call herself lucky. duff would disagree.

jerome sydenham and no mad ronin with a heavy dub infected 4 track vinyl... check

a new 4 track ep by legowelt on the nice signals label. north sea spectrum unites the misty shores of the hague with the wind swept coastline of the north east of england. dedicated late night techno broodings for off-shore oil rig workers and channel island detectives seeking international crime syndicates. check!